"When the ship was carried across
the plains, on a sea of things that
defied inventory -pines, seaweed,
Toto washlets, asphalt, creatures
- it was one of those days when the world
would not behave, would not
turn up for inspection"
Author, editor, photographer and publisher Matthew Smith publishes an astonishingly accomplished collection of poetry in "Sea of the Edge" -a slim volume influenced by Japan and covering a wide range of subjects.
I make no secret of my love for Wundor - a publishing company only set up in the last few years, but one that has swiftly become beloved by me for consistently publishing intelligent and attractive pieces of literature, ranging from fiction through to travel guides. Not only are the works all of a high standard, but Wundor also place higher importance on presentation than most publishing companies, ensuring that every work published is as beautiful to look at as it is to read.
The first work I read by Wundor was Matthew Smith's first novel. "The Waking". A powerful meditation on family and literature, it was a book I rated extremely highly, with Smith's experience as a poet allowing him a mastery of words - ensuring that the prose in "The Waking" was immediate and effective.
As a result, I was hugely excited to read Smith's poetry - and I'm relieved to say that "Sea of the Edge" more than lived up to my expectations.
A contrasting, curated collection, these poems take the reader through intimate recollections, across the seas to Japan, and from the modern day to times past. Varying in terms of style and length, each poem is distinct enough to ensure that the readers interest is kept up throughout -every poem both different and surprising.
Available now to order from Wundor Editions, "Sea of the Edge" is a collection of poetry that's accessible, immediate and hugely accomplished.
Church and Other Dirty Words is a collection of poems by author and poet Brad Cohen. I reviewed it back in 2016, and was hugely impressed by the raw and visceral feel of the words - blunt and honest and directly speaking to my experiences as a Gay man. As a result, I was thrilled to be asked to review "Church and Other Dirty Words: The Film Collection" - a collaboration between Brad Cohen and director Sian Williams.
There's definitely a danger with adapting poems, in that part of the wonder of poetry is the myriad of individual meanings the words can take on in the reader's minds. There's a concern that there'll be less of a connection for the reader in watching another person's view of how the feelings and thoughts of a poem should be conveyed - but it's something that the team behind "Church and Other Dirty Words: The Film Collection" have carefully avoided - these short films are direct, thought provoking and utterly electric.
The films differ in tone and content - but overarching themes unify them as a collection - all of them filled with a searing honesty that's impossible to turn away from. "Church and Other Dirty Words" was already a varied and original body of work, but Cohen and Williams should be applauded for finding dynamic and innovative ways to approach these poems - the words are allowed to take centre stage, but the magnetic performances and inventive, creative cinematography allow for films that stimulate both visually and aurally. Performances from artists such as Danny Polaris, Joseph Connolly, Charlie Knight, Sophie Chittenden, Sian Williams, Victoria Matthews, Luigi Ambrosio, Joe Gilmore and Matthew Williams are accompanied by a score composed by Himuro Mansion - ranging from slow, meditative themes through to pulsing beats. It's cleverly arranged - sympathetic to the performances but excellent in its own right.
In terms of the the range of films, it's hard to pick a favourite - the overarching films with Danny Polaris and Joseph Connolly delve into a relationship full of raw emotions and, in the final film, a tenderness and openness that corresponds to the themes of the poems perfectly. "Masc4Masc" features Joseph Connolly in a blunt, direct and intimate short, and "DJ Pygmalion" is a vivid, sexual and pulsing piece performed by Charlotte Dowell that's almost staggering in its directness. Lingering looks in "Girl Under You" stay with the viewer long after the film has ended, and the sensual, fluid movements of Luigi Ambrosio and Joe Gilmore in "Bedside Surgeon"convey a relationship without a need for words - the phrase "poetry-in-motion" by be an age old cliche, but it's beyond fitting here.
An original, powerful and brilliantly crafted project, "Church and Other Dirty Words: The Film Collection" takes already brilliant poems and carries them through to a new creative level. Combined they're only just over half and hour, but they'll stay with the viewer far, far longer.
Ah, Poetry. I know that word sinks fear into the hearts of a lot of people – those who struggled through Shakespeare’s sonnets at school or days trying to decipher Tennyson’s epic sagas at school, may well have been put off poetry for a long time. I rediscovered a love for it as a teenager – falling hard for the myth of Ted Hughes, and the visceral, raw poems that described a countryside and nature that I was all too familiar with, and my love of poetry has continued today.
I was hugely excited then, to be contacted by up and coming author Brad Cohen. Born in Guernsey in 1989, Brad is an experienced journalist and copywriter who had his first visual poem “Tectonic Trill” featured as part of the Hilbert Raum Gallery’s exhibition “Hummm…”, and his debut prose poem “Church” is published in Fincham Press’s anthology “Purple Lights”, released this month.
“Church & other Dirty Words” is a collection featuring 8 of Cohen’s pieces, and it’s a raw and visceral series of poems, that unsettle the reader with their bluntness, but are so screamingly honest that it’s impossible not to relate to the writing, especially if you’re Gay – Cohen writes about gay sex and gay porn with a satisfying bluntness, and poems such as Masc 4 Masc and DJ Pygmalion manage to convey feelings of arousal, excitement, and shame – pretty much par for the course for those of us who have gone through the period of hook ups and Grindr/Scruff/ whatever’s new these days. The focus isn’t just on sex though, with a searing tenderness in “One Thousand” and “Placeholders”, and blazing passion in “Tectonic Trill”.
Refreshing and new, Brad Cohen has shown in this short collection that he’s a hugely exciting poet, and one whose poems deserve to be got out into the world. “Church & other Dirty Words” has yet to find a publisher, so if you know of anyone who’d be interested in snapping up author Brad Cohen before it’s too soon – contact him at Brad Cohen’s website